Through the centuries, clay has been shaped into forms both representative and responsive to the cultures in which they were developed. The most expressive of those found forms is that of the human, now realized as not only a testimonial for humanity's existence but a window on the human spirit.

 

For me, those references translate into dance, a celebratory movement, an abstraction referencing the human form.  While the “Spirit” series responds to this celebration, the “Signal Light” series refers to the way-posts guiding the journey.